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From Medea to Goneril to Sharon Stone's ice-pick murderer to Susan Smith, the image of the violent woman has fascinated readers and audiences in a way that other figures have not. Jo Hendin looks at the figure of the violent woman in her latest book where she argues that a violent woman is a grenade pitched towards both conservative and liberal views of women. Peopled with some of the most fascinating women in history, both real and imagined, Heartbreakers is a thought-provoking read from cover to cover.
- Sales Rank: #4998259 in Books
- Published on: 2004-01-03
- Original language: English
- Number of items: 1
- Dimensions: 8.25" h x 1.13" w x 5.50" l, 1.10 pounds
- Binding: Hardcover
- 320 pages
From Publishers Weekly
Hendin offers an intriguing and comprehensive study of violent women, their motivations, the conditions that provoke them and the feelings of fear, anger and erotic desire they can inspire in others. Though wordy, hyper-detailed prose and an overflow of academic theory on political, social and gender studies slow the book's pace in sections, the author persuasively argues that violent women "highlight and dramatize the pressures on women who are not violent and on a culture still absorbing their changing roles." A professor of English and Italian-American studies at New York University, Hendin is at her best when analyzing specific cases-from mythology, film, fiction, poetry and contemporary society-and when discussing how these women can make both conservatives and liberals uneasy. From the Lorena Bobbitts and Susan Smiths who maim or kill their lovers or relatives to the Bonnie Parkers and Lynette Frommes who wreak terror on strangers, the dangerous dames that populate this book use violence for numerous and often contradictory reasons. Motivated by egotism, rage, sorrow or self-hatred, they may try to show their strength by killing off their weaker-and more traditionally feminine-characteristics, like vulnerability and passivity, or they may rebel against a patriarchal society in which the subjugation and abuse of women seems to be condoned. With her background in literature, Hendin brings more insight to her analyses of books and poetry than she does to her coverage of films and news media. Highlights include her appraisals of Toni Morrison's Beloved, Janet Fitch's White Oleander and Diana Trilling's Mrs. Harris, a hypercritical book about convicted Scarsdale diet doctor killer Jean Harris.
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Review
"Hendin (English, NYU) keenly depicts the relationship between violent women acting in real life and violent women portrayed in literature. Novelists don't simply absorb the stories of violent women incidentally through their casual exposure to the media she argues. Instead, they often seek it out going so far as to attend trials in person to gather ideas for their latest thrillers. The inspiration and adaptation of real-life events make the novels Hendin references more compelling than not: the reader will be driven to delve into these works of fiction which range from classics like Medea to contemporary best sellers like Janet Fitch's White Oleander. The expressions of violence Hendin here captures redefine women in ways that break with both traditional and progressive expectations of women. Most of them are chilling examples, casting women in extreme lights. The effect is nearly the same as reading a very edgy novel; you want to do it with the lights on and the doors locked. Recommended for all academic libraries."--Maria Kochis, California State University Library, Sacramento, Library Journal.
"Hendin offers an intriguing and comprehensive study of violent women, their motivations, the conditions that provoke them and the feeling of fear, anger and erotic desire they can inspire in others."--Publishers Weekly
Praise for Hendin's The Right Thing to Do:
"The right thing to do effectively portrays both New York's italian immigrant milieu and one man's rage at his own powerlessness in the face of his child's hunger for life." --Booklist
"Hendin's novelistic skill emerges in her portrait of the tyrannical father Nino-one of the memorable characters of recent fiction." --Alix Kates Shulman
About the Author
Josephine Hendin is Professor of English and Tino A. Segno Professor of Italian American Studies at New York University.
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